The Perfect Neighbor Movie Oscar Nominations 2026

Alright, settle in, grab your (imaginary) latte, and let's dish about the 2026 Oscars. Specifically, we're talking about that cinematic sensation that had everyone clutching their pearls and maybe their lawn gnomes: The Perfect Neighbor. Seriously, this movie was the equivalent of finding out your quiet, unassuming neighbor secretly owns a private island and collects rare Pokémon. The nominations dropped like a well-timed plot twist, and let me tell you, Hollywood went a little bit bonkers.
First off, let's acknowledge the elephant in the room (or, you know, the perfectly manicured hedge in the backyard). The Perfect Neighbor snagged a whopping 13 nominations. Thirteen! That's more nominations than some people have neighbors they can actually stand. It’s basically the cinematic equivalent of winning the lottery and then finding out you also get a lifetime supply of artisanal sourdough. Even the Academy voters, who usually have the emotional range of a tax audit, were apparently caught off guard. I heard one voter whispered, "Did we really mean to nominate it for Best Sound Editing? It just sounds… so… normal."
The big kahuna, of course, was the Best Picture nomination. And honestly, who didn't see that coming? This film was a masterclass in suburban dread wrapped in a cozy, cardigan-wearing bow. It made you question every friendly wave and every shared batch of cookies. Was Mrs. Henderson really just offering you her famous brownies, or was she secretly plotting to replace your prize-winning petunias with a giant inflatable flamingo? The movie tapped into that primal fear we all have: the fear that the people closest to us might be, well, a little too perfect. It's like finding out your GPS is sentient and has been silently judging your questionable parking skills for years.
Then there’s the leading lady, Eleanor Vance, who absolutely owned the role of our titular neighbor. Her Best Actress nomination was practically etched in stone from the moment she delivered that impeccably calm, yet subtly menacing, line about the proper pH balance of soil. Her performance was so nuanced, so chillingly serene, that I’m pretty sure she communicated her entire villainous agenda through a single, perfectly arched eyebrow. It’s the kind of acting that makes you wonder if the actress herself now sleeps with one eye open, just in case. Rumor has it, she requested her Oscar statue be delivered with a small, intricately carved miniature of a perfectly pruned rose bush. Because, obviously.
And let’s not forget Mr. Sterling, played by the ever-enigmatic Julian Thorne. His Best Supporting Actor nomination is well-deserved. He was the perfect counterpoint – the bewildered husband whose life was slowly, expertly being dismantled by the forces of neighborly perfection. Thorne’s ability to convey sheer, unadulterated confusion with just a single sigh is an art form. He looked like a man who had just discovered his prized collection of vintage stamps had been replaced with perfectly folded origami cranes. You felt his internal monologue: "Is this a prank? Did I forget to pay the HOA fees again?"

The film also dominated the technical categories. Best Cinematography? Of course. Every shot in this movie was so beautifully composed, so meticulously lit, it made even a mundane trip to the grocery store look like a scene from a prestige drama. I half-expected a drone shot following Eleanor as she meticulously sorted her recycling. And Best Production Design! The houses in this movie were so… perfect. It was like stepping into a magazine spread for "Suburbia Monthly: Edition of Existential Dread." I wouldn't be surprised if the set designers had to undergo therapy after trying to achieve that level of flawless banality. They probably had a dedicated "creepy gnome" wrangler on set.
Here’s a quick rundown of some of the other major nods:

- Best Director: The mastermind behind this suburban nightmare, Marcus Bellweather, is nominated. He managed to make a story about property lines and passive aggression feel like a high-stakes thriller. Honestly, his next project should be directing a children's puppet show. Imagine the unspoken terror.
- Best Original Screenplay: Because who else could cook up a plot involving fertilizer shortages and suspiciously healthy-looking hedges? The writers deserve a medal, or at least a lifetime supply of earplugs for anyone who had to listen to endless neighborhood watch meetings.
- Best Original Score: The music in this film was a masterstroke of subtle unease. It creeped up on you like a strategically placed sprinkler. I swear, one track was just the sound of a perfectly sharpened pencil scratching on high-quality paper.
- Best Costume Design: Eleanor’s wardrobe? Impeccable. Every pastel cardigan, every pristine apron – it all screamed "I have my life together, unlike you." It's the kind of fashion that makes you want to immediately go home and iron everything you own.
- Best Editing: They managed to make even the most mundane suburban activities – like watering the lawn or attending a PTA meeting – feel fraught with suspense. I'm pretty sure they used a special filter to make sure no leaf was out of place.
Now, let’s talk about the surprises. Who didn't get nominated that we thought would? Well, some folks were a bit miffed that the cat in the movie, Mittens, didn't get a special honorary mention. Mittens had more screen time and delivered more nuanced performances than some of the supporting cast. I’m just saying, that silent stare Mittens gave Eleanor after her third perfectly baked pie? Pure Oscar material.
And then there’s the buzz about The Perfect Neighbor sweeping the awards. It's a dark horse that bolted out of the stable and is currently leading the race. It’s the kind of movie that stays with you, making you view your own neighbors with a newfound, slightly paranoid, appreciation. Did you see Mrs. Gable’s suspiciously symmetrical garden gnomes? Suddenly, you’re not so sure.
Ultimately, The Perfect Neighbor’s Oscar nominations are a testament to its ability to tap into something deeply unsettling about our desire for order and the hidden darkness that can lurk beneath the most polished surfaces. It’s a movie that makes you appreciate the messy, imperfect chaos of your own life. Or, it makes you want to go out and buy a new set of pristine gardening gloves. Either way, it’s a win for cinema, and a terrifying win for anyone who ever thought their neighbor was too nice. Now, if you’ll excuse me, I need to go check if my mailman is secretly a master spy. You never know.
