98th Academy Awards Nominations Full List
Alright, movie lovers and popcorn enthusiasts, gather 'round! The moment we've all been (mostly) waiting for has arrived. Yes, the 98th Academy Award nominations are here, and let me tell you, it’s a wild ride this year. Grab your favorite blanket, maybe a comfy pillow, because we're diving into the glorious chaos.
First off, let's talk about the big kahunas. Oppenheimer is absolutely cleaning up. Seriously, it feels like every other nomination belongs to that one. It’s a testament to its… well, its existence. If you haven’t seen it, you might want to, or just nod along wisely when people discuss it.
Then we have Barbie! Oh, Barbie. It landed a bunch of nominations, which is fantastic. Though, I gotta be honest, I’m still a little surprised about some of the categories. Did we all watch the same movie? It’s a delightful movie, don't get me wrong. Just… a thought.
And let’s not forget Killers of the Flower Moon. Scorsese is like a fine wine, just keeps getting better (and making longer movies). It’s a powerful film, no doubt. The performances are top-notch. You can’t really argue with those nominations.
Now, for the acting categories. This is where things get really interesting. Or at least, where the water cooler conversations get interesting. Cillian Murphy is a shoo-in for Best Actor. He was absolutely magnetic in Oppenheimer. It’s hard to imagine anyone else taking that home.
But then there’s Paul Giamatti for The Holdovers. Oh, Paul. He’s been delivering incredible performances for decades. This one feels like a special, heartfelt moment. I’m secretly rooting for him to pull off a surprise. It would be a classic underdog story, wouldn’t it?
And speaking of surprises, Lily Gladstone! What a performance in Killers of the Flower Moon. She’s so captivating. Her quiet strength is just… wow. I hope the Academy sees what we see.
For Best Actress, it’s a stacked field. Emma Stone for Poor Things is a powerhouse. She’s fearless and brilliant. She really went for it, didn't she? Every wild, weird moment was perfectly timed.
But then you have Lily Gladstone again. Oh wait, no, that was for supporting. My bad. Let's talk about Margot Robbie for Barbie. Look, I know some people have thoughts. But she was Barbie. She embodied that character. It’s a tough role, making someone so… plastic… so human. My unpopular opinion? She deserved the nomination just for that.
And Carey Mulligan in Maestro. She’s so understated, yet so powerful. She carries so much in that performance. It’s the kind of acting that sneaks up on you.
Moving onto Supporting Actors. Robert Downey Jr. for Oppenheimer. He’s back, baby! And he’s great. He brings that signature RDJ flair, but with a bit more… gravitas. It’s a well-deserved nod.
And Ryan Gosling as Ken. Oh, Ken. We stan Ken. His "I'm Just Ken" moment? Pure cinematic gold. He managed to make us feel for a plastic doll. That’s acting, my friends. That’s Oscar-worthy.
For Supporting Actress, it’s a tough one. Da'Vine Joy Randolph for The Holdovers. She is the heart of that film. Her scenes are so emotional. It’s a performance that stays with you.
And Emily Blunt for Oppenheimer. She’s fantastic. She plays the wife with such a nuanced performance. It’s easy to get lost in the big explosions, but her character’s internal struggle is so compelling.
Now, let’s talk about Best Picture. This is where the real fun begins. Oppenheimer is definitely a frontrunner. It’s a monumental film. It feels like the kind of movie the Academy likes to award.
But what about Poor Things? It’s so unique and visually stunning. It’s a bold choice. If it wins, it’ll be a win for creativity and taking risks. I like that energy.
And The Holdovers. It’s such a charming, heartwarming film. It reminds you of older movies. It’s got that classic feel that sometimes wins out. It’s the comfort movie of the awards season.
My personal favorite, and I know this might be unpopular, is American Fiction. It’s so clever and funny. It tackles important issues with such a light touch. Jeffrey Wright is brilliant. It’s the kind of movie that makes you think and laugh. If it doesn't win, I might just shed a single, dramatic tear.
What about Past Lives? Such a beautiful, understated film. It’s got such emotional resonance. It’s a quieter film, but its impact is huge. It’s the kind of movie that stays with you long after the credits roll.
And Anatomy of a Fall. A courtroom drama with a twist. It’s so compelling. The performances are incredible. It keeps you guessing until the very end.
Let’s not forget the animated films! Spider-Man: Across the Spider-Verse. It’s visually a masterpiece. It pushed the boundaries of animation. It’s more than just a superhero movie; it’s art.
And The Boy and the Heron. Miyazaki is a legend. This one is just as magical and thoughtful as his previous works. It's a visual feast.
For Best Director, Christopher Nolan is the heavy favorite for Oppenheimer. He’s earned it. His vision is so clear. It’s hard to deny his skill.
But I’m also really rooting for Justine Triet for Anatomy of a Fall. She directed that film with such incredible precision and intelligence. It's a masterclass in suspense.
And Greta Gerwig for Barbie. She took a concept that could have been a disaster and made it a cultural phenomenon. That's directing magic.
My wildcard pick for director? Alexander Payne for The Holdovers. He just has a way of drawing out the best from his actors and creating these incredibly human stories. He makes you feel like you know these characters.
Screenplay categories are always a good place to see what the Academy really liked. Oppenheimer is a lock for Adapted Screenplay. It’s a dense book, and they made it… digestible. Impressive.
But Original Screenplay? This is where it gets juicy. Past Lives is a strong contender. It’s so beautifully written. It’s a story that feels so real.
And Anatomy of a Fall. That dialogue! It’s sharp, it’s witty, it’s profound. It’s the kind of writing that makes you lean in.
My heart, however, belongs to American Fiction for Original Screenplay. It’s just so witty and insightful. It deserves all the praise.
Overall, it’s a pretty solid list. Lots of good movies, lots of good performances. It’s going to be a fun night watching to see who takes home those golden statues. May the best movie win… or at least, the movie with the most shiny statues!